Images & Videos

Edna Andrade drawing Locks Gallery

Indian Garden, 1985
Prismacolor pencil on black Rives with acrylic white lines
9 1/2 x 6 7/8 inches

Edna Andrade collage Locks Gallery

Rajput Collage, 1984
collage, acrylic, prismacolor pencil on black Rives paper
20 1/2 x 13 inches

Edna Andrade drawing Locks Gallery

Rain Dance I, 1983
colored pencil on paper
14 x 14 inches 

Edna Andrade drawing Locks Gallery

Pyramid on Gold, 1984
acrylic on gold board
5 11/16 x 13 15/16 inches

Edna Andrade drawing Locks Gallery

Marriage Hall, 1986

acrylic on board

3 7/16 x 11 3/8 inches

Edna Andrade drawing Locks Gallery

Squares, "Golden" Mean Study, 1993

Prismacolor and graphite on paper

14 x 17 inches

Edna Andrade drawing Locks Gallery

Octagon Study 79, 1970
colored pencil on paper
8 x 8 inches 

Artist Bio

Edna Wright Andrade (1917-2008) lived and worked in Philadelphia for the majority of her career after first moving to the city to attend the Pennsylvania Academy of Fine Arts. Renowned for her challenging optical and hard-edged abstract paintings, the artist had a significant influence on the Philadelphia art scene for over forty years. At PAFA Andrade was awarded two Cresson Traveling Scholarships that allowed her to visit Europe, exposing her to Bauhaus ideologies and post-war artists that indelibly influenced her approaches to color, abstraction, and teaching. During World War II, she worked under architect Eeron Saarinen for the Office of Strategic Services designing charts, maps, and graphs. Andrade went on to be a celebrated educator at the Philadelphia College of Art and in 1996 was awarded the College Art Association Award for Distinguished Teaching.

In her career-spanning investigations into the nature of perception, she balanced her interests in fine arts, hand made crafts, and public projects. This would lead her to experiment with artist editions throughout her career and complete commissions for the Free Library of Philadelphia and the Salvation Army. Additionally, she was influenced by many realms outside of fine arts including architecture, philosophy, mathematics, psychology, and design. Her later works are delicate and masterful graphite drawings of the rocky coast of Maine, returning to her formal PAFA training and the representational subjects of her early landscape paintings.

Andrade was the focus of two major retrospectives during her lifetime: in 1993, at the Pennsylvania Academy of Fine Arts, and in 2003, at the Institute of Contemporary Art at the University of Pennsylvania. She was included in the Op Art publication by Joe Houston, Optic Nerve: Perceptual Art of the 1960s, in 2007. The artist’s work is in numerous museums throughout the U.S. including the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the Houston Museum of Fine Arts, the Dallas Museum of Art, Virginia Museum of Fine Arts and Baltimore Art Museum.

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