Writing
Lynda Benglis: In the Realm of the Senses The Brooklyn RailFebruary 2020

by Daniel Pateman

Writing
At the Hirshhorn, Pat Steir’s ‘waterfall’ paintings move you — literally The Washington PostJanuary 2020

by Kelsey Ables

Writing
Warren Rohrer: A decade of luminous work By Edith Newhall, Philadelphia Inquirer
Writing
Tim Portlock at the Akron Art Museum By Steven Litt
Writing
Louise Fishman The Los Angeles TimesOctober 2019
Writing
Louise Fishman The Philadelphia InquirerSeptember 2019
Writing
The New Exhibition That Further Proves We’re in a Maximalist Moment Architectural DigestJune 2019

by Madeleine Luckel

Writing
The Evolution of Louise Fishman, Brash and Fierce The New York Times
Writing
Louise Fishman The Brooklyn Rail
Writing
Louise Fishman Interview Magazine
Writing
Louise Fishman: Art in America A Restless Spirit
Writing
Hot on the Heels of Key Showcases, Painter Pat Steir Preps Major D.C. Exhibition ARTnewsJuly 2019

by Phyllis Tuchman

Writing
The Flow of Chance: Pat Steir’s ‘Waterfall’ Paintings The New York Review of BooksMay 2019

by Colm Tóibín 

Writing
Joanna Pousette-Dart's Landscape HyperallergicApril 2019

by John Yau

Writing
Sarah McCoubrey HyperallergicMarch 23, 2019
Writing
The Exhibit that Painted Itself The New YorkerFebruary 2019

by Robert Sullivan

Writing
Pat Steir Gets Discovered, Again The New York TimesJanuary 2019

by Hilarie M. Sheets

Writing
Rob Wynne at the Brooklyn Museum ArtCriticalFebruary 2019
Writing
Edna Andrade: The Geometry of Perception Arts & AntiquesJanuary 2019

by John Dorfman

Writing
Warren Rohrer "New Paintings" Essay by David CarrierOctober 13, 1993
Writing
David Row Noughts and Crosses By Peter Malone, ArtCritical10/02/18
Writing
Power, Vulnerability and Responsibility: Jane Irish Confronts Colonization FriezeJuly 2018

by Bea Huff Hunter

Writing
John Moore's Fabricated Realities HyperallergicJune 2018

by Carl Little

by Cypress Marrs
Holding Together Opposite Poles: A Conversation with Jane Irish Art in AmericaMay 2018

by Cypress Marrs

by Thomas Hine
'Antipodes’ at Lemon Hill shows a way forward The Philadelphia InquirerApril 2018

by Thomas Hine

By Edith Newhall
Jane Irish Philadelphia InquirerApril 19, 2018

by Edith Newhall

Writing
Historic house in Fairmount Park redesigned as Contemporary Art WHYYApril 2018

by Peter Crimmins

Writing
Lemon Hill mansion becomes an image of resistance in daring art takeover The Philadelphia InquirerApril 2018

by Stephan Salisbury

in Conversation with Barbara MacAdam
David Row Brooklyn RailNovember 2017
Review
Postwar Art Gets a Nervy Makeover New York TimesSeptember 14, 2017

by Roberta Smith

Writing
In Conversation: Joanna Pousette-Dart with Barbara Rose The Brooklyn RailJune 2017
Writing
Yeesookyung Korea DailyMay 19, 2017
Writing
Louise Belcourt HyperallergicJanuary 2017
Writing
Sarah McEneaney HyperallergicOctober, 2016
Writing
Jane Irish ArtforumSeptember 2016

by Bea Huff Hunter

Writing
Sarah McEneaney: The Philadelphia Inquirer By Samantha MelamedSeptember 2016
Writing
Tim Portlock: Hyperallergic By Meredith SellersJuly 7, 2016
Writing
Tim Portlock: Artforum By Rachel Ellis NeyraJune 2016
Writing
Glistening Metallic Fabric The Philadelphia InquirerJune 2016

by Edith Newhall

Writing
The Resistance of Jane Irish HyperallergicMay 2016

by Stan Mir

Writing
Ellen Harvey: Frieze Magazine By Becky Huff HunterMarch 2016
Writing
The Shape-Shifter: How Lynda Benglis Left the Bayou and Messed With the Establishment ARTnewsFebruary 2016

by M.H. Miller

Writing
Simon Lee | Eve Sussman: Artsy by Rachel HeidenryJanuary 27, 2016
Writing
Jennifer Bartlett Art in AmericaDecember 2015

by Serena Qiu

Writing
Marcus Harvey: Art Critical by Erick MillerSaturday October 24th, 2015
Writing
Elizabeth Osborne: Icon08/11/2015
Writing
Elizabeth Osborne: DrawingSummer 2015

"Manchester by Elizabeth Osborne" by Margaret Winslow

Writing
Natural Impulses at Locks Gallery ArtblogJuly 2015

by A.M. Weaver

Writing
Natural Impulses and Human Nature at Locks Gallery Title MagazineJuly 2015

by Deborah Krieger

Writing
Jane Irish Modern PaintersJuly/August 2015

by Paul Laster

Writing
Ellen Harvey: Blouin ArtInfoJune 18, 2015

"Ellen Harvey Irons Out the Barnes Foundation Collection" by Scott Indrisek

Writing
Lynda Benglis Celebrates the Fluidity of Nature at Storm King The New York TimesJune 2015

by Ken Johnson

Writing
Ann Agee & Yeesookyung: Bernardaud Foundation "My Blue China" by curator Laurent de VerneuilJune 11, 2015
Writing
The Life Aquatic: Lynda Benglis’s Watery Sculptures Delight at Storm King Blouin ArtinfoJune 2015

by Chloe Wyma

Writing
Critics' Picks: Edna Andrade ArtforumMay 2015

by Marina Isgro

Writing
Alyson Shotz Sculpture MagazineMay 2015

by Lilly Wei

Writing
Thomas Chimes: artcriticalApril 5, 2015

"Metal Boxes: A Hermetic Side of Thomas Chimes" by A.M. Weaver

Writing
Thomas Chimes: Art & AuctionApril 2015

"Thomas Chimes: The Body in Spirals at Locks Gallery" by Doug McClemont

Writing
Lynda Benglis: Going with the Flow The Art NewspaperMarch 2015

by Louisa Buck

Writing
Lynda Benglis Interview MagazineMarch 2015

by John Baldessari 

Writing
Thomas Chimes: ARTnewsFebruary 27, 2015

"Here Are the Nominees for the 2014 AICA Awards" by the Editors of ARTnews

Writing
Polly Apfelbaum: The Boston GlobeDecember 11, 2014

"Apfelbaum’s works shimmer with allusion in Worcester" By Cate McQuaid

Writing
Virgil Marti Art in AmericaNovember 2014

by Jennie Hirsh

Writing
John Moore The Philadelphia InquirerNovember 2014

by Edith Newhall

Writing
Virgil Marti: Forest Park The Brooklyn RailNovember 2014

by Samantha Dylan Mitchell

Writing
Joy Feasley: ArtforumNovember 2014

"Joy Feasley and Paul Swenbeck at the Fabric Workshop Museum- Critic's Pick" by Becky Huff Hunter 

Writing
Epic Systems at Cleveland Museum of Art Cleveland.comOctober 2014

by Steven Litt

Writing
Jennifer Bartlett: Title MagazineSeptember 25, 2014

"Jennifer Bartlett: In the Garden" by Kerry Bickford

Writing
Mirrors, Marks & Loops ArtblogJuly 2014

by Natalia Angeles Vieyra 

Writing
Galleries: Suib and Hironaka The Philadelphia InquirerJuly 2014

by Edith Newhall

Writing
Critics' Picks: Nadia Hironaka & Matthew Suib ArtforumJune 2014

by Katherine Rochester 

Writing
Yeesookyung: Art in AmericaJune/July 2014

"Yeesookyung at Locks Gallery" by A.M. Weaver

Writing
Pat Steir, by Chance The Philadelphia InquirerMay 2014

by Edith Newhall 

Writing
Grids and Steel Spanning Great Divides The New York TimesMay 2014

by Martha Schwendener

Writing
Jun Kaneko: The Washington PostMay 4, 2014

"How the abstract turns into 'Magic': 'Magic Flute' tops artist Jun Kaneko's (intense, nonstop, decade-long) jaunt into opera" Interview by Anne Midgette

Writing
Jun Kaneko: The Washington Post ExpressMay 1, 2014

"High Notes, High Art: Jun Kaneko’s wild costumes invigorate The Magic Flute" by Sadie Dingfelder

Writing
Pat Steir The Brooklyn RailApril 2014

by Phong Bui

Writing
On and Off the Grid Modern PaintersApril 2014

by Wendy Vogel

Writing
Sarah McEneaney: Art in AmericaMarch 2014
Writing
Nancy Graves at Locks ARTnewsMarch 2014

by Lilly Wei

Writing
Yeesookyung: The Philadelphia InquirerFebruary 18, 2014

"Korean convergence" by Samantha Melamed

Writing
Rob Wynne: Modern PaintersJanuary 2014

"Rob Wynne at Locks Gallery in Philadelphia" by Paul Laster

Writing
Sarah McEneaney: Title MagazineNovember 18, 2013

"Sarah McEneaney, Trestletown” by Daniel Gerwin 

Writing
Sarah McEneaney: City PaperNovember 14, 2013

"Trestle Time Machine" by Annette Monnier

Writing
Jennifer Bartlett: PAFA ARTnewsNovember 2013

by Edith Newhall

Writing
Sarah McEneaney: Hidden CityOctober 29, 2013

"The Viaduct At The Heart Of Her Life And Art" by Nathaniel Popkin 

Writing
Ellen Harvey: SlateOctober 2, 2013

"The Alien’s Guide to the Ruins of Washington, D.C." by David Plotz 

Writing
Ellen Harvey: Artforum Critic's PickAugust 2013

"Ellen Harvey" by Leslie J. Ureña

Writing
Virgil Marti: Ode to a Hippie By Patricia Hickson, Curator of Contemporary ArtAugust 2013
Writing
Ellen Harvey: WashingtonianJuly 2, 2013

"Art Review: Ellen Harvey: The Alien’s Guide to the Ruins of Washington, D.C. at the Corcoran Galle" by Sophie Gilbert

Writing
Jennifer Bartlett ArtforumJune 2013

by Julian Elias Bronner

Writing
Jennifer Bartlett's Universe in Philadelphia Art in AmericaJune 2013

by Brian Boucher

Writing
Organizing an Organizer's Life The New York TimesJune 2013

by Hilarie M. Sheets

Writing
Critics' Picks: Lynda Benglis ArtforumJune 2013

by Becky Huff Hunter

Writing
Virgil Marti Sculpture MagazineJune 2013

by Gae Savannah

Writing
Jane Irish: Sông Hu’o’ng: Withdrawing Room Huffington PostApril 2013

by Gabriele Vainsencher 

Writing
Sarah McEneaney: Title MagazineApril 5, 2013

"Sarah McEneaney at the Ballgame" by Jeffrey Bussman

Writing
Sarah McCoubrey: Art in AmericaApril 2013

"Sarah McCoubrey at Locks Gallery" by Jennie Hirsh

Writing
Pat Steir Paints a Painting ARTnewsNovember 2012

by Hilarie M. Sheets

Writing
Ann Agee: Art in AmericaOctober 9, 2012

"Unalienated Labor: Q&A with Ann Agee" by Faye Hirsch

Writing
Ellen Harvey: ARTnewsOctober 1, 2012

"Ellen Harvey" by Robin Rice

Writing
Ellen Harvey: Modern PaintersOctober 1, 2012

"Ellen Harvey" by Paul Laster

Writing
An Outpouring of Art Philadelphia InquirerSeptember 2012

by Amy S. Rosenberg

Writing
Ellen Harvey: the artblogJune 17, 2012

"Ellen Harvey's and Turner's Lost Paradise - "Arcade/Arcadia"" by Alyssa Greenberg

Writing
Critics' Picks: Jennifer Bartlett ArtforumMay 2012

by Christopher Howard

Writing
Meth Lab of the Modern Psyche: Dr. Freud’s Consulting Room ArtCriticalMay 2012

by David Brody

Writing
In the Studio: Alyson Shotz Art + AuctionMay 2012

by Sarah P. Hanson

Writing
Nadia Hironaka and Matthew Suib with C. Spencer Yeh Art in AmericaMay 2012

by Jennie Hirsh

Writing
Ena Swansea: Art - Das KunstmagazinApril 1, 2012

"Shadows of the Past" by Ute Thon

Writing
Across Aisles, Accidental Pas de Deux The New York TimesMarch 2012

by Karen Rosenberg

Writing
Ann Agee and Betty Woodman: The New York TimesFebruary 24, 2012

"Museum Adds Illusion to Static Period Rooms" by Eve M. Kahn

Writing
1967: Nadia Hironaka and Matthew Suib Title MagazineFebruary 2012

by Jacob Feige

Writing
1967 & 2011 at Locks Gallery The ArtblogJanuary 2012

by Chip Schwartz

Writing
'1967' at Locks Gallery Experiments With Political Facts and Fiction Philadelphia WeeklyJanuary 2012

by Katherine Rochester

Writing
Ray Metzker: The Philadelphia InquirerNovember 5, 2011

"Salute in Black and White" by Stephan Salisbury

Writing
Neysa Grassi: Art in AmericaNovember 2011

"Neysa Grassi at Locks Gallery" by Jennie Hirsh

Writing
Rob Wynne: artnetSeptember 28, 2011

"Savagery and Subterfuge in Philadelphia" By Linda Yablonsky

Writing
Rob Wynne & Neysa Grassi: The Philadelphia InquirerSeptember 25, 2011

"Word Works" by Edith Newhall

Writing
Lynda Benglis at the Museum of Contemporary Art The Los Angeles TimesAugust 2011

by Christopher Knight

Writing
In Conversation: Jennifer Bartlett with Phong Bui The Brooklyn RailJuly/August 2011
Writing
Little Resistance to Gravity: On Lynda Benglis and David Hammons The NationMarch 2011

by Barry Schwabsky

Writing
Polly Apfelbaum: Artforum / 500 WordsMay 19, 2011

"Haunted House" by Polly Apfelbaum

Writing
Jennifer Bartlett’s Epic 'Rhapsody' Back on View at the Modern The New York TimesApril 2011

by Roberta Smith

Writing
Ann Agee: Art in AmericaApril 1, 2011

"Ann Agee" by Lilly Wei

Writing
Jennifer Bartlett Art in AmericaMay 2011

by Jeff Frederick

Writing
Elizabeth Osborne: Philadelphia InquirerMarch 06, 2011

"Osborne's abstracts" by Edith Newhall

Writing
Jennifer Bartlett ArtforumMarch 2011

by Johanna Burton

Writing
Ann Agee: ARTnewsMarch 01, 2011

"Ann Agee" by Robin Rice

Writing
Lynda Benglis: Not A Material Girl The Art NewspaperMarch 2011

by Linda Yablonsky

Writing
Ann Agee: ArtforumMarch 01, 2011

"Ann Agee" by Nell McClister

Writing
Critic's Notebook: Making a Splash The New YorkerFebruary 2011

by Andrea K. Scott

Writing
Artful Commentary, Oozing From the Walls The New York TimesFebruary 2011

by Roberta Smith

Writing
Lynda Benglis: Top Form ArtnetFebruary 2011

by Emily Nathan

Writing
A Life of Melting the Status Quo The New York TimesFebruary 2011

by Hilarie M. Sheets

Writing
Doting on Dots: Jennifer Bartlett's 'Recitative' The New York Times Style MagazineJanuary 2011

by Linda Yablonsky

Writing
"Alterations": Philadelphia WeeklyJanuary 05, 2011

"Alterations" by Roberta Fallon

Writing
Virgil Marti: ICA Philadelphia ArtforumJanuary 2011

by Paul Galvez

Writing
Sculptor Lynda Benglis Reexamining Color’s Possibilities The Philadelphia InquirerDecember 2010

by Edith Newhall

Writing
Diane Burko: ARTUS12/01/2010

"Diane Burko" by Sue Spaid

Writing
Ann Agee: New York Times Magazine Blog11/19/2010

"Now Showing | Ann Agee" by Pilar Viladas

Writing
Edna Andrade Philadelphia InquirerOctober 2010

by Edith Newhall

Writing
Time & Tide FriezeOctober 2010

by Marina Cashdan

Writing
Three to Watch: John Moore Fine Art ConnoisseurApril 2010

by Nancy Bea Miller

Writing
Diane Burko: artcritical.comMarch 23, 2010

"Diane Burko: Politics of Snow at Locks Gallery" by Emily Warner

Writing
Polyurethane and Color Punctuate a Long Career The New York TimesJanuary 2010

by Roberta Smith

Writing
Elizabeth Osborne: ARTnewsJanuary 1, 2010

"Elizabeth Osborne and Sidney Goodman" by Edith Newhall

Writing
Turning Piano Wire into Light ARTnewsJanuary 2010

by Hilarie M. Sheets

Writing
Miss Lynda ArtforumJanuary 2010

by Richard Meyer

Writing
Up Against the Wall with Lynda Benglis Art in AmericaDecember 2009

by Martin Friedman

Writing
Lynda Benglis: Shape Shifter Art in AmericaDecember 2009

by Julian Kreimer

Writing
Jun Kaneko: Philadelphia InquirerOctober 11, 2009

"The satisfactions of 'slow' material art" by Edward Sozanski

Writing
Alyson Shotz Art in AmericaSeptember 2009

by Elaine Sexton

Writing
Elizabeth Osborne: ICONSeptember 1, 2009

"Elizabeth Osborne: The Interview" by Jonathan L. Fischer

Writing
Thomas Chimes: Art in AmericaJune 1, 2009

"Thomas Chimes 1921-2009" by Faye Hirsch

Writing
Jun Kaneko: Art in AmericaApril 1, 2009

"Jun Kaneko" by Miriam Seidel

Writing
Rob Wynne: ARTnewsApril 1, 2009

"Rob Wynne" by Robin Rice

Writing
Crucible of Creativity, Stoking Earth Into Art The New York TimesMarch 2009

by Roberta Smith

Writing
Alyson Shotz: Phase Shift The New York TimesMarch 2009

by Karen Rosenberg

Writing
Rob Wynne: Art in AmericaMarch 1, 2009

"Rob Wynne" by Lilly Wei

Writing
A Conversation with Alyson Shotz Sculpture MagazineNovember 2008

by Anja Chávez

Writing
Joanna Pousette-Dart ArtforumNovember 2008

by Robert Pincus-Witten

Writing
In Conversation: Joanna Pousette-Dart with Joan Waltemath The Brooklyn RailOctober 2008
Writing
Thomas Chimes in Art In America December 2007

"Faustroll's Special Agent" by Faye Hirsch

Writing
A clash of colors The Philadelphia InquirerNovember 2007

by Amy S. Rosenberg

Writing
Art in Review: Joanna Pousette-Dart The New York TimesJune 2004

by Ken Johnson

Writing
Virgil Marti: Where Witty Meets Gritty By Holland Cotter, the New York Times11/15/2002
Writing
Virgil Marti: PAFA ArtforumOctober 2001

by Eileen Neff

Writing
Artschwager: Art Papers Philadelphia: Locks Gallery09/01/1999
Writing
Artschwager: ArtNews Crates & Installation at Locks Gallery09/01/1999
Writing
Thomas Chimes in Art In America January 1995

"Theater of Memory" by Barry Schwabsky

Writing
Jennifer Bartlett By Kay Larson, New York MagazineDecember 9, 1985
Writing
Jennifer Bartlett: 15 Year Retrospective By Michael Brenson, the New York Times11/29/1985
Writing
Jennifer Bartlett: Making Sense of Sensuality By Kay Larson, New York Magazine04/29/1985
Writing
Jennifer Bartlett By Calvin Tomkins, The New YorkerApril 15, 1985
Writing
Jennifer Bartlett: The Unexpected By Michael Brenson, New York TimesApril 12, 1985
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