Writing
Elizabeth Osborne The Philadelphia InquirerDecember 2019

by Edith Newhall

Writing
In a New Documentary, Pat Steir Speaks for Herself By Marley Marius, Vogue Magazine06/12/20
Writing
Pat Steir: Hirshhorn Museum & Sculpture Garden ArtforumMarch 2020

by Ida Panicelli

Writing
Lynda Benglis: In the Realm of the Senses The Brooklyn RailFebruary 2020

by Daniel Pateman

Writing
At the Hirshhorn, Pat Steir’s ‘waterfall’ paintings move you — literally The Washington PostJanuary 2020

by Kelsey Ables

Writing
Warren Rohrer: A decade of luminous work The Philadelphia InquirerJanuary 2020

by Edith Newhall

Writing
Can Video Games Inspire Serious Art? Akron Art Museum answers with a resounding yes Cleveland.comDecember 2019

by Steven Litt

Writing
It's Time to Submit to the Surprises of Louise Fishman's Art The Los Angeles TimesOctober 2019

by Lea Ollman

Writing
Homegrown Painter Louise Fishman Gets a Victory Lap in Philadelphia The Philadelphia InquirerSeptember 2019

by Edith Newhall

Writing
The New Exhibition That Further Proves We’re in a Maximalist Moment Architectural DigestJune 2019

by Madeleine Luckel

Writing
The Evolution of Louise Fishman, Brash and Fierce The New York TimesJune 2016

by Holland Cotter

Writing
Hot on the Heels of Key Showcases, Painter Pat Steir Preps Major D.C. Exhibition ARTnewsJuly 2019

by Phyllis Tuchman

Writing
In Conversation: Joanna Pousette-Dart with Barbara Rose The Brooklyn RailJune 2019
Writing
The Flow of Chance: Pat Steir’s ‘Waterfall’ Paintings The New York Review of BooksMay 2019

by Colm Tóibín 

Writing
Joanna Pousette-Dart's Landscape HyperallergicApril 2019

by John Yau

Writing
Sarah McCoubrey HyperallergicMarch 2019

by Natasha Seaman

Writing
The Exhibit that Painted Itself The New YorkerFebruary 2019

by Robert Sullivan

Writing
Pat Steir Gets Discovered, Again The New York TimesJanuary 2019

by Hilarie M. Sheets

Writing
Glass Intrusions: Rob Wynne at the Brooklyn Museum ArtCriticalFebruary 2019

by William Corwin

Writing
Edna Andrade: The Geometry of Perception Arts & AntiquesJanuary 2019

by John Dorfman

Writing
Warren Rohrer "New Paintings" Essay by David CarrierOctober 13, 1993
Writing
Two Shows Explore Polly Apfelbaum’s Ceramics and Textiles Galerie MagazineOctober 2018

by Paul Laster

Writing
Noughts and Crosses: David Row ArtCriticalOctober 2018

by Peter Malone

Writing
Kate Bright ArtforumOctober 2018

by Bea Huff Hunter

Writing
Kate Bright: Roadside Brittania The Philadelphia InquirerSeptember 2018

by Edith Newhall

Writing
Power, Vulnerability and Responsibility: Jane Irish Confronts Colonization FriezeJuly 2018

by Bea Huff Hunter

Writing
John Moore's Fabricated Realities HyperallergicJune 2018

by Carl Little

by Cypress Marrs
Holding Together Opposite Poles: A Conversation with Jane Irish Art in AmericaMay 2018

by Cypress Marrs

by Thomas Hine
'Antipodes’ at Lemon Hill shows a way forward The Philadelphia InquirerApril 2018

by Thomas Hine

By Edith Newhall
Jane Irish Philadelphia InquirerApril 19, 2018

by Edith Newhall

Writing
Historic house in Fairmount Park redesigned as Contemporary Art WHYYApril 2018

by Peter Crimmins

Writing
Lemon Hill mansion becomes an image of resistance in daring art takeover The Philadelphia InquirerApril 2018

by Stephan Salisbury

in Conversation with Barbara MacAdam
In Conversation: David Row with Barbara MacAdam Brooklyn RailNovember 2017
Writing
Louise Fishman The Brooklyn RailOctober 2017

by Jan Avgikos

Review
Postwar Art Gets a Nervy Makeover New York TimesSeptember 14, 2017

by Roberta Smith

Writing
Why are so many artists making work that lies on the floor? The New York Times Style MagazineAugust 2017

by Christine Smallwood

Writing
‘Nine Dragons in Wonderland’ shown at Venice Biennale Korea DailyMay 2017

by Moon So-Young

Writing
Elizabeth Osborne at Locks Gallery ArtblogApril 2017

by A.M. Weaver

Writing
Louise Belcourt HyperallergicJanuary 2017
Writing
Sarah McEneaney HyperallergicOctober 2016

by Stan Mir

Writing
Jane Irish ArtforumSeptember 2016

by Bea Huff Hunter

Writing
Thirty-five years, One Neighborhood The Philadelphia InquirerSeptember 2016

by Samantha Melamed

Writing
3D-Rendered Visions of Dystopia, Inspired by the Housing Market Crash HyperallergicJuly 2016

by Meredith Sellers

Writing
Critics' Picks: Tim Portlock ArtforumJune 2016

By Rachel Ellis Neyra

Writing
Tim Portlock The Philadelphia InquirerJune 2016

by Edith Newhall

Writing
Glistening Metallic Fabric The Philadelphia InquirerJune 2016

by Edith Newhall

Writing
Tim Portlock: Death and Resurrection in the City ArtCriticalJune 2016

by Edward M. Epstein

Writing
Louise Fishman: 500 Words ArtforumMay 2016

as told to Bea Huff Hunter

Writing
The Resistance of Jane Irish HyperallergicMay 2016

by Stan Mir

Writing
Louise Fishman's Abstract Activism Interview MagazineMay 2016

by William J. Simmons

Writing
Louise Fishman: Paper Louise Tiny Fishman Rock ArtForumApril 2016

by Michelle Grabner

Writing
Ellen Harvey FriezeMarch 2016

by Becky Huff Hunter

Writing
The Shape-Shifter: How Lynda Benglis Left the Bayou and Messed With the Establishment ARTnewsFebruary 2016

by M.H. Miller

Writing
Simon Lee | Eve Sussman: Artsy by Rachel HeidenryJanuary 27, 2016
Writing
Jennifer Bartlett Art in AmericaDecember 2015

by Serena Qiu

Writing
Marcus Harvey: Art Critical by Erick MillerSaturday October 24th, 2015
Writing
Elizabeth Osborne: Veils of Color IconAugust 2015

by Burton Wasserman

Writing
Manchester: Elizabeth Osborne Drawing MagazineSummer 2015

by Margaret Winslow

Writing
Natural Impulses at Locks Gallery ArtblogJuly 2015

by A.M. Weaver

Writing
Natural Impulses and Human Nature at Locks Gallery Title MagazineJuly 2015

by Deborah Krieger

Writing
Jane Irish Modern PaintersJuly/August 2015

by Paul Laster

Writing
Ellen Harvey Irons Out the Barnes Foundation Collection Blouin ArtinfoJune 2015

by Scott Indrisek

Writing
Lynda Benglis Celebrates the Fluidity of Nature at Storm King The New York TimesJune 2015

by Ken Johnson

Writing
My Blue China: The Colors of Globalization Fondation d’entreprise Bernardaud catalogJune 2015

by Laurent de Verneuil

Writing
The Life Aquatic: Lynda Benglis’s Watery Sculptures Delight at Storm King Blouin ArtinfoJune 2015

by Chloe Wyma

Writing
Critics' Picks: Edna Andrade ArtforumMay 2015

by Marina Isgro

Writing
Alyson Shotz Sculpture MagazineMay 2015

by Lilly Wei

Writing
Foreign Language: Neysa Grassi Title MagazineApril 2015

by Jenna Buckingham

Writing
Metal Boxes: A Hermetic Side of Thomas Chimes ArtCriticalApril 2015

by A.M. Weaver

Writing
Thomas Chimes: The Body in Spirals at Locks Gallery Art + AuctionApril 2015

by Doug McClemont

Writing
Lynda Benglis: Going with the Flow The Art NewspaperMarch 2015

by Louisa Buck

Writing
Lynda Benglis Interview MagazineMarch 2015

by John Baldessari 

Writing
AICA Awards Nominees ARTnewsFebruary 2015
Writing
Beer with a Painter: Sarah McEneaney HyperallergicJanuary 2015

by Jennifer Samet

Writing
Apfelbaum’s works shimmer with allusion in Worcester The Boston GlobeDecember 2014

by Cate McQuaid

Writing
Virgil Marti Art in AmericaNovember 2014

by Jennie Hirsh

Writing
John Moore The Philadelphia InquirerNovember 2014

by Edith Newhall

Writing
Virgil Marti: Forest Park The Brooklyn RailNovember 2014

by Samantha Dylan Mitchell

Writing
Joy Feasley: ArtforumNovember 2014

"Joy Feasley and Paul Swenbeck at the Fabric Workshop Museum- Critic's Pick" by Becky Huff Hunter 

Writing
Epic Systems at Cleveland Museum of Art Cleveland.comOctober 2014

by Steven Litt

Writing
Jennifer Bartlett: Title MagazineSeptember 25, 2014

"Jennifer Bartlett: In the Garden" by Kerry Bickford

Writing
Airborne Potatoes and Hellscapes Inspired by Hydrofracking ARTnewsAugust 2014

by Francis DiClemente

Writing
Mirrors, Marks & Loops ArtblogJuly 2014

by Natalia Angeles Vieyra 

Writing
Galleries: Suib and Hironaka The Philadelphia InquirerJuly 2014

by Edith Newhall

Writing
Critics' Picks: Nadia Hironaka & Matthew Suib ArtforumJune 2014

by Katherine Rochester 

Writing
Yeesookyung at Locks Art in AmericaJune/July 2014

by A.M. Weaver

Writing
Pat Steir, by Chance The Philadelphia InquirerMay 2014

by Edith Newhall 

Writing
Grids and Steel Spanning Great Divides The New York TimesMay 2014

by Martha Schwendener

Writing
Jun Kaneko: How the Abstract Turns into Magic The Washington PostMay 2014

by Anne Midgette

Writing
High Notes, High Art: Kaneko’s wild costumes invigorate the Opera The Washington Post ExpressMay 2014

by Sadie Dingfelder

Writing
Pat Steir The Brooklyn RailApril 2014

by Phong Bui

Writing
On and Off the Grid Modern PaintersApril 2014

by Wendy Vogel

Writing
Sarah McEneaney Art in AmericaMarch 2014

by Jennie Hirsh

Writing
Nancy Graves at Locks ARTnewsMarch 2014

by Lilly Wei

Writing
Korean Convergence: Yeesookyung at Philadelphia Museum The Philadelphia InquirerFebruary 2014

by Samantha Melamed

Writing
Rob Wynne at Locks Gallery Modern PaintersJanuary 2014

by Paul Laster

Writing
Sarah McEneaney: Trestletown Title MagazineNovember 2013

by Daniel Gerwin 

Writing
Trestle Time Machine City PaperNovember 2013

by Annette Monnier

Writing
Jennifer Bartlett: PAFA ARTnewsNovember 2013

by Edith Newhall

Writing
The Viaduct At The Heart Of Her Life And Art Hidden CityOctober 2013

by Nathaniel Popkin 

Writing
The Alien’s Guide to the Ruins of Washington, D.C. SlateOctober 2013

by David Plotz 

Writing
Critics' Picks: Ellen Harvey ArtforumAugust 2013

by Leslie J. Ureña

Writing
Virgil Marti: Ode to a Hippie By Patricia Hickson, Curator of Contemporary ArtAugust 2013
Writing
Ellen Harvey at the Corcoran Gallery of Art WashingtonianJuly 2013

by Sophie Gilbert

Writing
Jennifer Bartlett ArtforumJune 2013

by Julian Elias Bronner

Writing
Jennifer Bartlett's Universe in Philadelphia Art in AmericaJune 2013

by Brian Boucher

Writing
Organizing an Organizer's Life The New York TimesJune 2013

by Hilarie M. Sheets

Writing
Critics' Picks: Lynda Benglis ArtforumJune 2013

by Becky Huff Hunter

Writing
Virgil Marti Sculpture MagazineJune 2013

by Gae Savannah

Writing
Jane Irish: Sông Hu’o’ng: Withdrawing Room Huffington PostApril 2013

by Gabriele Vainsencher 

Writing
Sarah McEneaney Title MagazineApril 2013

by Jeffrey Bussman

Writing
Sarah McCoubrey at Locks Gallery Art in AmericaApril 2013

by Jennie Hirsh

Writing
Kate Bright's Aquatic Explorations ArtblogNovember 2012

by Chip Schwartz

Writing
Pat Steir Paints a Painting ARTnewsNovember 2012

by Hilarie M. Sheets

Writing
Unalienated Labor: Q&A with Ann Agee Art in AmericaOctober 2012

by Faye Hirsch

Writing
A Restless Spirit Art in AmericaOctober 2012

by Carrie Moyer

Writing
Ellen Harvey ARTnewsOctober 2012

by Robin Rice

Writing
Ellen Harvey Modern PaintersOctober 2012

by Paul Laster

Writing
An Outpouring of Art Philadelphia InquirerSeptember 2012

by Amy S. Rosenberg

Writing
Jun Kaneko's ceramic shapes as canvases The Philadelphia InquirerJuly 2012

by Edith Newhall

Writing
Ellen Harvey and Turner's Lost Paradise ArtblogJune 2012

by Alyssa Greenberg

Writing
Critics' Picks: Jennifer Bartlett ArtforumMay 2012

by Christopher Howard

Writing
Meth Lab of the Modern Psyche: Dr. Freud’s Consulting Room ArtCriticalMay 2012

by David Brody

Writing
In the Studio: Alyson Shotz Art + AuctionMay 2012

by Sarah P. Hanson

Writing
Nadia Hironaka and Matthew Suib with C. Spencer Yeh Art in AmericaMay 2012

by Jennie Hirsh

Writing
Museum In a Gallery The Philadelphia InquirerApril 2012

by Edith Newhall

Writing
Ena Swansea: Art - Das KunstmagazinApril 1, 2012

"Shadows of the Past" by Ute Thon

Writing
Across Aisles, Accidental Pas de Deux The New York TimesMarch 2012

by Karen Rosenberg

Writing
Museum Adds Illusion to Static Period Rooms The New York TimesFebruary 2012

 by Eve M. Kahn

Writing
1967: Nadia Hironaka and Matthew Suib Title MagazineFebruary 2012

by Jacob Feige

Writing
1967 & 2011 at Locks Gallery The ArtblogJanuary 2012

by Chip Schwartz

Writing
'1967' at Locks Gallery Experiments With Political Facts and Fiction Philadelphia WeeklyJanuary 2012

by Katherine Rochester

Writing
Ray Metzker: The Philadelphia InquirerNovember 5, 2011

"Salute in Black and White" by Stephan Salisbury

Writing
Neysa Grassi Art in AmericaNovember 2011

by Jennie Hirsh

Writing
Savagery and Subterfuge in Philadelphia ArtnetSeptember 2011

by Linda Yablonsky

Writing
Neysa Grassi & Rob Wynne: Word Works The Philadelphia InquirerSeptember 2011

by Edith Newhall

Writing
Lynda Benglis at the Museum of Contemporary Art The Los Angeles TimesAugust 2011

by Christopher Knight

Writing
In Conversation: Jennifer Bartlett with Phong Bui The Brooklyn RailJuly/August 2011
Writing
Little Resistance to Gravity: On Lynda Benglis and David Hammons The NationMarch 2011

by Barry Schwabsky

Writing
Polly Apfelbaum: 500 Words ArtforumMay 2011

as told to Lauren O’Neill-Butler

Writing
Jennifer Bartlett’s Epic 'Rhapsody' Back on View at the Modern The New York TimesApril 2011

by Roberta Smith

Writing
Ann Agee Art in AmericaApril 2011

by Lilly Wei

Writing
Jennifer Bartlett Art in AmericaMay 2011

by Jeff Frederick

Writing
Osborne's Abstracts The Philadelphia InquirerMarch 2011

by Edith Newhall

Writing
Jennifer Bartlett ArtforumMarch 2011

by Johanna Burton

Writing
Ann Agee ARTnewsMarch 2011

by Robin Rice

Writing
Lynda Benglis: Not A Material Girl The Art NewspaperMarch 2011

by Linda Yablonsky

Writing
Ann Agee ArtforumMarch 2011

by Nell McClister

Writing
Critic's Notebook: Making a Splash The New YorkerFebruary 2011

by Andrea K. Scott

Writing
Artful Commentary, Oozing From the Walls The New York TimesFebruary 2011

by Roberta Smith

Writing
Lynda Benglis: Top Form ArtnetFebruary 2011

by Emily Nathan

Writing
A Life of Melting the Status Quo The New York TimesFebruary 2011

by Hilarie M. Sheets

Writing
Doting on Dots: Jennifer Bartlett's 'Recitative' The New York Times Style MagazineJanuary 2011

by Linda Yablonsky

Writing
"Alterations": Philadelphia WeeklyJanuary 05, 2011

"Alterations" by Roberta Fallon

Writing
Virgil Marti: ICA Philadelphia ArtforumJanuary 2011

by Paul Galvez

Writing
Sculptor Lynda Benglis Reexamining Color’s Possibilities The Philadelphia InquirerDecember 2010

by Edith Newhall

Writing
Diane Burko: ARTUS12/01/2010

"Diane Burko" by Sue Spaid

Writing
Now Showing | Ann Agee The New York Times Style MagazineNovember 2010

by Pilar Viladas

Writing
Edna Andrade Philadelphia InquirerOctober 2010

by Edith Newhall

Writing
Time & Tide FriezeOctober 2010

by Marina Cashdan

Writing
Three to Watch: John Moore Fine Art ConnoisseurApril 2010

by Nancy Bea Miller

Writing
Diane Burko: artcritical.comMarch 23, 2010

"Diane Burko: Politics of Snow at Locks Gallery" by Emily Warner

Writing
Polyurethane and Color Punctuate a Long Career The New York TimesJanuary 2010

by Roberta Smith

Writing
Elizabeth Osborne ARTnewsJanuary 2010

by Edith Newhall

Writing
Turning Piano Wire into Light ARTnewsJanuary 2010

by Hilarie M. Sheets

Writing
Miss Lynda ArtforumJanuary 2010

by Richard Meyer

Writing
Up Against the Wall with Lynda Benglis Art in AmericaDecember 2009

by Martin Friedman

Writing
Lynda Benglis: Shape Shifter Art in AmericaDecember 2009

by Julian Kreimer

Writing
The Satisfactions of Slow, Material Art The Philadelphia InquirerOctober 2009

by Edward Sozanski

Writing
Alyson Shotz Art in AmericaSeptember 2009

by Elaine Sexton

Writing
Elizabeth Osborne: The Interview IconSeptember 2009

by Jonathan L. Fischer

Writing
Thomas Chimes: 1921-2009 Art in AmericaJune 2009

by Faye Hirsch

Writing
Jun Kaneko Art in AmericaApril 2009

by Miriam Seidel

Writing
Rob Wynne ARTnewsApril 2009

by Robin Rice

Writing
Crucible of Creativity, Stoking Earth Into Art The New York TimesMarch 2009

by Roberta Smith

Writing
Alyson Shotz: Phase Shift The New York TimesMarch 2009

by Karen Rosenberg

Writing
Rob Wynne Art in AmericaMarch 2009

by Lilly Wei

Writing
A Conversation with Alyson Shotz Sculpture MagazineNovember 2008

by Anja Chávez

Writing
Joanna Pousette-Dart ArtforumNovember 2008

by Robert Pincus-Witten

Writing
In Conversation: Joanna Pousette-Dart with Joan Waltemath The Brooklyn RailOctober 2008
Writing
Kate Bright's Works Conjure Alluring Darkness The Philadelphia InquirerMarch 2008

by Kate Bright

Writing
Kate Bright: Between the Woods Essay by Judith E. SteinMay 2008
Writing
Faustroll's Special Agent Art in AmericaDecember 2007

by Faye Hirsch

Writing
A clash of colors The Philadelphia InquirerNovember 2007

by Amy S. Rosenberg

Writing
Art in Review: Joanna Pousette-Dart The New York TimesJune 2004

by Ken Johnson

Writing
Virgil Marti: Where Witty Meets Gritty By Holland Cotter, the New York Times11/15/2002
Writing
Virgil Marti: PAFA ArtforumOctober 2001

by Eileen Neff

Writing
Kate Bright ArtforumJune 2001

by Barry Schwabsky

Writing
Artschwager: Art Papers Philadelphia: Locks Gallery09/01/1999
Writing
Artschwager: ArtNews Crates & Installation at Locks Gallery09/01/1999
Writing
Theater of Memory Art in AmericaJanuary 1995

by Barry Schwabsky

Writing
Jennifer Bartlett: I hear America Thinking New York MagazineDecember 1985

by Kay Larson

Writing
Jennifer Bartlett: 15 Year Retrospective The New York TimesNovember 1985

by Michael Brenson

Writing
Jennifer Bartlett: Making Sense of Sensuality New York MagazineApril 1985

by Kay Larson

Writing
Profile: Jennifer Bartlett The New YorkerApril 1985

by Calvin Tomkins

Writing
The Unexpected from Jennifer Bartlett The New York TimesApril 1985

by Michael Brenson 

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