Yeesookyung Locks Gallery

Translated Vase (TVWG1), 2013
ceramic shards, epoxy, 24k gold leaf
61 1⁄2 x 36 x 27 1⁄2 inches 

Yeesookyung Locks Gallery

Translated Vase (TVW8), 2013
ceramic shards, epoxy, 24k gold leaf
52 x 28 1⁄2 x 27 1⁄2 inches 
Collection of the Philadelphia Museum of Art

Yeesookyung Locks Gallery

Translated Vase (TVW2), 2013
ceramic shards, epoxy, 24k gold leaf
51 x 37 1/2 x 35 1/2 inches

Yeesookyung Locks Gallery

Translated Vase (TVG4), 2012
ceramic shards, epoxy, 24k gold leaf
42 x 29 x 29 inches 

Yeesookyung Locks Gallery

Translated Vase (TVW5), 2013 ceramic shards, epoxy, 24k gold leaf 24 x 20 x 18 inches 

Yeesookyung Locks Gallery

Translated Vase (TVG 5), 2013
ceramic shards, epoxy, 24k gold leaf
29 x 21 x 21 inches

Yeesookyung Translated Vase Locks Gallery

Translated Vase (TVW 6), 2013
ceramic shards, epoxy, 24k gold leaf
27 x 26 x 27 1/2 inches

Yeesookyung Locks Gallery

Twin Dance, 2012

single channel video

Yeesookyung Locks Gallery

Flame Variation (4-1), 2014
natural pigment on silk, mounted to scroll
painting: 27 1/2 x 47 1/4 inches
scroll: 76 3/4 x 54 3/8 inches

Yeesookyung painting Locks Gallery

Flame Variation (2-3), 2012
natural pigment on silk, mounted to scroll
painting: 27 1/2 x 47 1/4 inches
scroll: 76 3/4 x 54 3/8 inches

Press Release

Locks Gallery is pleased to present The Meaning of Time, the first solo exhibition in the United States by the Korean artist Yeesookyung, on view February 7 through March 15, 2014. This exhibition is intended to be a contemporary perspective in dialogue with the nationally touring exhibition of Korean Joseon Dynasty artifacts that will be on view at the Philadelphia Museum of Art on March 2, 2014.

The opening reception will be held on Friday, February 7 from 5:30–7:30 pm with a special artist’s reception on Friday, February 28 from 5:30–7:30 pm. An illustrated catalog of the works will accompany the exhibition with an essay by writer Robert C. Morgan.

In this exhibition, Yee revisits traditional Korean arts in work featuring porcelain and gold sculptures, silk scroll paintings, and a video dance performance. This work reflects both a wisdom from decades of conceptual art practice and a rigorous formal training in her elegant craftsmanship. Identifying herself as a “local artist,” Yee’s work reflects poetically on specific Korean cultural traditions and histories. But in the context of globalization, the work poignantly reflects how traditions taken from the past are re-imagined and re-contextualized.

Known internationally for her Translated Vase series, Yee collects porcelain shards from Korean ceramists who make reproductions of Joseon Dynasty white porcelain and Goryeo Dynasty celadon masterworks. By making intuitive voluptuous forms out of their “trash”, Yee employs the traditional method of repairing ceramics with gold. Meanwhile the works play with language as gold and crack (both “geum”) are homonyms in Korean.

Also on view are recent silk scroll paintings from the series Flame Variation. Echoing the graphic iconographic style of the wall paintings of the Gorguryeo Tombs with the spatial organization of symmetrical Buddhist paintings, Yee combines traditional religious imagery with that of fairy tales, cartoons, myths, and allegories. From a distance the scrolls appear to be traditional artifacts, but upon further inspection they are captivating in their non-linear narratives and distinctly contemporary graphic content.

Yeesookyung’s video dance work, Twin Dance, is an extended meditation on Kyo Bang Choom, a traditional Korean dance performed by women of the Joseon Dynasty. The work explores a relationship with symmetry akin to the silk scroll paintings. The video completes this constellation of works that represent her recent conceptual investigations into Korean cultural traditions with distinctly contemporary approaches.