With Pleasure’s biggest surprise is Accordia (1982), a tall polychrome sculpture by Nancy Graves, who is usually assigned a tentative place in the lineage of American monument makers founded by David Smith. Cast from corrugated cardboard, five Japanese fans, something very like a giant petunia, and other, less identifiable objects, “Acordia” poses, gestures, and eludes every attempt to sum it up and tuck it away in a stylistic compartment. Thus it looks entirely at ease amid the constant border crossings of Pattern and Decoration.