Images

Anni Albers 
Do. I-VI, 1973
screen print in color on Fabriano woven paper in 6 parts, printed and published by Edition Domberger, Stuttgart, edition 27/50
  (edition of 50 with 10 artist's proofs)
each sheet: 25 1/2 x 25 1/2 inches

Jennifer Bartlett 
Homan-ji  III, B-1, (Plaid), 1992
watercolor, gouache, graphite and gold leaf on paper mounted to board
23 1/2 x 23 1/2 inches

Jennifer Bartlett 
Homan-ji III, 75-F, (Potted Pink Petunias), 1995
Japanese mineral color on handmade Kozo paper, platinum leaf
24 x 24 inches

Louise Fishman 
Untitled, 2001
acrylic on paper
30 x 22 inches

Pat Steir
Untitled 22, 2006
Hand-painted monoprint with oil-based paint on a screenprint
48 x 35 inches

Thomas Chimes 
Untitled, [Crucifix Study], 1960
watercolor and gouache on paper, framed
10 x 8 3/4 inches

Philip Guston 
Room, (G.870), 1980
lithograph on Arches cover paper, edition of 50 with 11 artist's proofs
32 3/4 x 42 3/4 inches

Richard Artschwager
Intersect, 1992
soft ground aquatint, spit bite aquatint and drypoint, edition 22/80
35 3/4 x 36 1/4 inches

Josef Albers 
Homage to the Square to mark the 88th birthday of Josef Albers, 1976
un-numbered screenprint
12 x 12 inches

Joanna Pousette-Dart
Mexican Suite #23, 2023
acrylic and watercolor on Arches paper
12 1/4 x 12 1/4 inches

Joanna Pousette-Dart 
Mexican Suite #21, 2023
acrylic and watercolor on Arches paper
12 1/4 x 12 1/4 inches

Neysa Grassi 
Untitled, Ballycastle 009, 2001
gouache and gum Arabic on paper
7 1/2 x 5 1/2 inches

Warren Rohrer 
Greek Window, 1971
gouache on paper
14 x 11 inches

Robert Motherwell
Three Forms (AFA-407), 1988
aquatint from one copper plate printed in dark red; lift ground etching and aquatint from one copper plate printed in black on on German etching paper, edition of 50 with 10 AP's, edition 22/50
19 1/2 x 31 inches

Robert Rauschenberg 
Sub-total, from Stoned Moon Series (G.429; F.102), 1971
Lithograph printed in colors on Rives paper, signed in pencil, dated '71' and numbered 403/500 (there were also 25 artist's proofs), with the blindstamp of the publisher, Gemini G.E.L., Los Angeles, printed by Daniel Freeman, Stuart Henderson and Ronald Olds
8 x 12 1/2 inches

Elizabeth Murray
Bird, Chair, and Hand, (610), Fall 1994
watercolor, casein, ballpoint pen, silkscreen ink and collage on paper
11 3/16 x 16 3/4 inches

David Row 
Untitled, (356), 1995
monotype, oil on waxed paper
9 x 12 inches

Robert Rahway Zakanitch 
Green Goats, (The Grand Dado Series), 1995
watercolor and gouache on paper
37 x 45 1/4 inches

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