"All of the works included in this exhibition embody both the corporeal and psychological, giving voice to the expansiveness of femininity as sensuous and complex. [...] Friis’ practice transforms fabric into fleshy, organic sculptures that embody the sensual nature of existence, with copious ridges and folds. Her piece Column consists of hand-stitched cotton and satin, reminiscent of a wedding gown, with folds also suggesting a vulva-like cavity. Benglis’ Swinburne Egg 1 glistens in its reproductive transparency. As the title suggests, these works sit in open conversation with each other, bold and self-assured." –Nicole Michaud