Jul 13, 2010
Whiteout: Stark, monochrome video pieces at Locks Gallery are edgy and pretty.
Philadelphia Weekly, review by Roberta Fallon
Whiteout: Stark, monochrome video pieces at Locks Gallery are edgy and pretty.
Philadelphia Weekly, review by Roberta Fallon
Mar 21, 2010
Galleries: A pair of exhibitions that transcend their themes
Philadelphia Inquirer, review by Edith Newhall
Galleries: A pair of exhibitions that transcend their themes
Philadelphia Inquirer, review by Edith Newhall
Feb 28, 2010
Galleries: Paintings depicting the effects of global warming
Philadelphia Inquirer, review by Edith Newhall
Galleries: Paintings depicting the effects of global warming
Philadelphia Inquirer, review by Edith Newhall
Nov 15, 2009
Two outstanding pairings, at Pentimenti and at Locks
Philadelphia Inquirer, review by Edith Newhall
Two outstanding pairings, at Pentimenti and at Locks
Philadelphia Inquirer, review by Edith Newhall
Nov 15, 2009
Two outstanding pairings, at Pentimenti and at Locks
Philadelphia Inquirer, review by Edith Newhall
Two outstanding pairings, at Pentimenti and at Locks
Philadelphia Inquirer, review by Edith Newhall
Oct 11, 2009
The satisfactions of 'slow' material art
Philadelphia Inquirer, review by Edward Sozanski
The satisfactions of 'slow' material art
Philadelphia Inquirer, review by Edward Sozanski
Apr 19, 2009
In abstract painting, a discussion of lines, color, edges
Philadelphia Inquirer, review by Edith Newhall
In abstract painting, a discussion of lines, color, edges
Philadelphia Inquirer, review by Edith Newhall
Jan 18, 2009
A display of vases, quiet, with poetry from vets, artists
Philadelphia Inquirer, review by Edith Newhall
A display of vases, quiet, with poetry from vets, artists
Philadelphia Inquirer, review by Edith Newhall
Nov 16, 2008
Domestic scenes reflect an artist who feels at peace
Philadelphia Inquirer, review by Edith Newhall
Domestic scenes reflect an artist who feels at peace
Philadelphia Inquirer, review by Edith Newhall
Nov 16, 2008
Domestic scenes reflect an artist who feels at peace
Philadelphia Inquirer, review by Edith Newhall
Domestic scenes reflect an artist who feels at peace
Philadelphia Inquirer, review by Edith Newhall
Nov 12, 2008
Sarah McEneaney's paintings are quietly autobiographical
Philadelphia Weekly, review by Roberta Fallon
Sarah McEneaney's paintings are quietly autobiographical
Philadelphia Weekly, review by Roberta Fallon
May 23, 2008
Kate Bright's works conjure alluring darkness
Philadelphia Inquirer, review by Edith Newhall
Kate Bright's works conjure alluring darkness
Philadelphia Inquirer, review by Edith Newhall
Dec 14, 2007
The beauty might blind you to the message
Philadelphia Inquirer, review by Edith Newhall
The beauty might blind you to the message
Philadelphia Inquirer, review by Edith Newhall
Sep 16, 2007
Imaginative clamor, contemplative quiet
Philadelphia Inquirer, review by Edward Sozanski
Imaginative clamor, contemplative quiet
Philadelphia Inquirer, review by Edward Sozanski
May 12, 2006
One Collection, Many Stories From the Land of Mavericks
New York Times, review by Roberta Smith
One Collection, Many Stories From the Land of Mavericks
New York Times, review by Roberta Smith
Oct 31, 2003
The twain meet in 'waterfall' paintings
Philadelphia Inquirer, review by Edward Sozanski
The twain meet in 'waterfall' paintings
Philadelphia Inquirer, review by Edward Sozanski
Sep 1, 2003
Jane Irish at the Pennsylvania Academy of the Fine Arts
Art in America, review by Miriam Seidel
Jane Irish at the Pennsylvania Academy of the Fine Arts
Art in America, review by Miriam Seidel
Jul 13, 2003
At last, a major exhibition of Rohrer's art
Philadelphia Inquirer, review by Edward Sozanski
At last, a major exhibition of Rohrer's art
Philadelphia Inquirer, review by Edward Sozanski
Jan 26, 2003
ICA show features Andrade's op art and more
Philadelphia Inquirer, review by Edward Sozanski
ICA show features Andrade's op art and more
Philadelphia Inquirer, review by Edward Sozanski
